{"id":38,"date":"2005-12-19T09:08:11","date_gmt":"2005-12-19T03:38:11","guid":{"rendered":"http:\/\/www.scoobr.com\/niblettes_old\/quotes\/"},"modified":"2008-07-09T09:22:05","modified_gmt":"2008-07-09T16:22:05","slug":"quotes","status":"publish","type":"page","link":"http:\/\/www.scoobr.com\/niblettes_old\/quotes\/","title":{"rendered":"Quotes"},"content":{"rendered":"<p><strong>PAUL RAND<\/strong><br \/>\nBad design is frequently the consequence of mindless dabbling, and the difficulty is not confined merely to the design of logos. This lack of understanding pervades all visual design<\/p>\n<p><strong>Bubble Generation<\/strong><br \/>\nthe point of a community is (hyper)specialization &#8211; not some mystical social basis of authority<\/p>\n<p><strong>GEORGE BOOLE<\/strong><br \/>\nThat language is an instrument of human reason, and not merely a medium for the expression of thought, is a truth generally admitted <\/p>\n<p><strong>ANTON CHEKHOV<\/strong><br \/>\nWhen many cures are offered for a disease, it means the disease is not curable<\/p>\n<p>*The next 6 jazz quotes come from <a href=\"http:\/\/presentationzen.blogs.com\/presentationzen\/2006\/04\/jazz_and_the_ar.html\" target=\"zen\">Garr Reynolds<\/a><a href=\"http:\/\/www.typepad.com\/t\/trackback\/4730108\" target=\"zen\"> <\/a> <\/p>\n<p><strong>MILES DAVIS<\/strong><br \/>\nWhen you hit a wrong note it\u00e2\u20ac\u2122s the next note that makes it good or bad<\/p>\n<p><strong>LOUIS ARMSTRONG<\/strong><br \/>\nIf they act too hip, you know they can\u00e2\u20ac\u2122t play shit!<\/p>\n<p><strong>DIZZY GILLESPIE<\/strong><br \/>\nIt\u00e2\u20ac\u2122s taken me all my life to learn what not to play<\/p>\n<p><strong>DUKE ELLINGTON<\/strong><br \/>\nThe most important thing I look for in a musician is whether he knows how to listen<\/p>\n<p><strong>CHARLIE PARKER<\/strong><br \/>\nMaster your instrument. Master the music. And then forget all that bullshit and just play<\/p>\n<p><strong>PAUL DESMOND<\/strong><br \/>\nWriting is like jazz. It can be learned, but it can\u00e2\u20ac\u2122t be taught<\/p>\n<p><strong>SETH FINKELSTEIN<\/strong><br \/>\nThere\u00e2\u20ac\u2122s plenty of beautiful theories slain by ugly facts<\/p>\n<p><strong>FRIEDRICH NIETZSCHE<\/strong><br \/>\nThe mother of excess is not joy but joylessness<\/p>\n<p><strong>EDWARD TUFTE<\/strong><br \/>\nIn emphasizing evidential quality and beauty, I also want to move the practices of analytical design far away from the practices of propaganda, marketing, graphic design, and commercial art<\/p>\n<p><strong>Sergeant Major HANEY<\/strong><br \/>\nYou can say you&#8217;re going to do whatever in a given situation. But once the shooting starts, all plans are off<\/p>\n<p><strong>PETER DRUCKER<\/strong><br \/>\nBecause innovation is both conceptual and perceptual, would-be innovators must also go out and look, ask, and listen<\/p>\n<p><strong>MARSHALL MCLUHAN<\/strong><br \/>\nMud sometimes gives the illusion of depth<\/p>\n<p>If it works, it&#8217;s obsolete<\/p>\n<p>Today the business of business is becoming the constant invention of new business<\/p>\n<p>The price of eternal vigilance is indifference<\/p>\n<p>All advertising advertises advertising.The answers are always inside the problem, not outside.<\/p>\n<p>In big industry new ideas are invited to rear their heads so they can be clobbered at once. The idea department of a big firm is a sort of lab for isolating dangerous viruses.<\/p>\n<p><strong>CHARLES MINGUS<\/strong><br \/>\nMaking the simple complicated is commonplace; making the complicated simple, awesomely simple, that&#8217;s creativity<\/p>\n<p><strong>BERTRAND RUSSELL<\/strong><br \/>\nThe greatest challenge to any thinker is stating the problem in a way that will allow a solution<\/p>\n<p><strong>CHARLES EAMES<\/strong><br \/>\nThe recognition and understanding of the need was the primary condition of the creative act. When people feel they had to express themselves for originality for its own sake, that tends not to be creativity. Only when you get into the problem and the problem becomes clear, can creativity take over.<\/p>\n<p><strong>PAOLA ANTONELLI<\/strong><br \/>\nPeople think that design is styling. Design is not style. It&#8217;s not about giving shape to the shell and not giving a damn about the guts. Good design is a renaissance attitude that combines technology, cognitive science, human need, and beauty to produce something that the world didn&#8217;t know it was missing.<\/p>\n<p><strong>FRANCIS BACON<\/strong><br \/>\nHe that will not apply new remedies must expect new evils; for time is the greatest innovator.<\/p>\n<p><strong>BILL CLINTON<\/strong><br \/>\nFanatics are defined by their hatreds; free people by their humanity.<\/p>\n<p><strong>ALBERT EINSTEIN<\/strong><br \/>\nwe can&#8217;t solve problems by using the same kind of thinking we used when we created them.<\/p>\n<p><strong>HIPPOCRATES<\/strong><br \/>\nLife is short, Art long, Occasion sudden and dangerous, Experience deceitful, and Judgment difficult.<\/p>\n<p><strong>Corollary to MURPHY&#8217;s Law<\/strong><br \/>\nIt is impossible to make anything foolproof because fools are so ingenious.<\/p>\n<p><strong>PABLO PICASSO<\/strong><br \/>\nComputers are worthless. They can only give you answers.<\/p>\n<p><strong>PABLO PICASSO<\/strong><br \/>\nEvery act of creation is first an act of destruction.<\/p>\n<p><strong>JEAN-JACQUES ROUSSEAU<\/strong><br \/>\nIt is hard to prevent oneself from believing what one so keenly desires.<\/p>\n<p><strong>GEORGE BERNARD SHAW<\/strong><br \/>\nSome men see things as they are, and say why? I dream of things that never were, and ask why not?<\/p>\n<p><strong>LAO TZU<\/strong><br \/>\nAs soon as you have made a thought, laugh at it.<\/p>\n<p><strong>OSCAR WILDE<\/strong><br \/>\nImagination is imitative\u00e2\u20ac\u201dthe real innovation lies in criticism.<\/p>\n<p><strong>EDWARD DE BONO<\/strong><br \/>\nCreativity involves breaking out of established patterns in order to look at things in a different way.<\/p>\n<p><strong>DALAI LAMA<\/strong><br \/>\nLearn the rules so you know how to break them properly.<\/p>\n<p><strong>Friedrich Nietzsche<\/strong><br \/>\nConvictions are more dangerous enemies of truth than lies<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PAUL RAND Bad design is frequently the consequence of mindless dabbling, and the difficulty is not confined merely to the design of logos. This lack of understanding pervades all visual design Bubble Generation the point of a community is (hyper)specialization &#8211; not some mystical social basis of authority GEORGE BOOLE That language is an instrument [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"tags":[],"class_list":["post-38","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/ParCYG-C","_links":{"self":[{"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/pages\/38","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":0,"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/media?parent=38"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.scoobr.com\/niblettes_old\/wp-json\/wp\/v2\/tags?post=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}